19 May OTOMYS Gallery: 17th – 22nd of September
For London Design Week, OTOMYS art gallery (www.otomys.com) is delighted to present an exclusive collection of contemporary works on paper by British artist, Nina Dolan and French artist, Caroline Denervaud. Using techniques of mark making on fabriano paper, Dolan creates works which are precise and meticulous in their creation. Denervaud is inspired by dance and movement and her paintings exude a sense of freedom and fluidity with the use of bold, casein pigments. Complemented by beautiful organic, hand built stoneware by Parisienne, Linda Ouhbi.
www.otomys.com 11 Church Street, Tetbury GL8 8JG
Mixed media on Fabriano paper ‘An Art of passage, about reality that has already passed by and which leaves a spread or spray of traces’ – Susan Sontag 1981. My drawings are more about evocation than literal representation. They are about the passing of time, captured thoughts about what is happening in the world. The notion of trace extends to the forms of my drawings, where lines billow and meander across the sheets, often recurring in the next drawing. By limiting myself to certain rules and codes in my mind, the lines build up to an overall rhythm, evoking emotions and I would almost say, sounds, as in music or noise.
Casein paintings on Fabriano paper French artist, Caroline Denervaud has been exploring the ways in which movement can convey intrinsic emotions from a very young age. Dancing and allowing herself to accept natural bodily motion has been a prominent part of her life and has become the foundation of her expansive practice, which includes performance, video, paintings and collage.
Through Denervaud’s performance, she creates marks – marks of movement, marks of time, marks of emotions. Feelings and sensations guide her to create a shape, through movement, on paper or in space.
In a world preoccupied with technology, there is something remarkable about painting. It connects us back to man’s earliest and most elemental forms of self expression. I am not interested in painting something that already exists. My pressing urge is to use paint to explore new forms which will ultimately carry emotional weight. I try not to recreate an image. Instead, I may use it as a reference point by which to move from one painting to the next.
I am influenced by the Abstract Expressionists – for their emotional rawness and mark making, and also by the Renaissance – for composition, light and movement. Onto these I layer influences from contemporary culture and my own personal experience. I aim to instil a classical feel into my work whilst finding new visual paths, with the result hopefully being an exploration of the purpose of painting itself. I think of my paintings as posing a series of questions rather than providing overt statements or narrative pointers towards any clear kind of answer. There would be no joy or satisfaction in doing that. Instead, the process is more about showing my search for something which, maybe, I hope I’ll never find.
Paris au mois d’aout
The French lighting brand creates a range of soft and sensual pendant lamps using hand printed, cotton fabrics over a bamboo spiral. Inspired by travel and a myriad of cultures, the designs reflect traditional patterns of Spanish & Portuguese Azulejos, cobalt blue of the Mediterranean and other beautiful landscapes around the world.
Paris based, Linda Ouhbi creates pieces in stoneware using a hand building and coil technique. This ancestral process necessitates a slow construction and permits the development of a relationship with each piece. Throughout the quest for a fragile balance during the construction of each piece, there begins a dialogue that influences the shapes that emerge. Each piece therefore holds the traces of a unique emotional quality, an intimate premise that comes from within.
Moved by the rare subtlety of prehistoric works and inspired by the creations of the first people, Linda Ouhbi creates pieces that question the ideas of function and utility, but above all the notion of time and progress.
Monday 17th Sept: 11 – 7pm
Tuesday 18th Sept: 11 – 9pm (Private View at 6pm, by invitation)
Wednesday 19th Sept: 11 – 9pm (Late night opening to coincide with other Marylebone businesses)
Thursday 20th Sept: 11 – 7pm
Friday 21st Sept: 11 – 7pm
Saturday 22nd: 11 – 4 pm